By A. Minetta Gould
I.
The prologue
An echo the Ugly Mink and Left Hook on an ion’s hijinks. Lyn Hejinian, caught staring: Their nexus on time is halting—ahead I can see the Rascal and the Hag—he the heat and she the sass. He the Ides and she held in his hand. That they dominate is a stuck correlation—a likeness on smooches and cooties. Let them stay as the sexiest coulters till their land and remain carnal. An echo the reincarnation of Mina and Arthur.
II.
Mina’s Song: part one
The Mink takes on a task dressed in her red hat. She ticks—leans—stalks and teaches children. To act glad. To act sad. To act on land, tanned and stunning. To model hands. To model trucks. To model any assorted junk. To tick. To lean. To stalk. She teaches children. The Mink, nearly taken under arrest, laughs at her students and the man, grins and tilts her red hat.
III.
Longing Song: Arthur
My tongue today is much like her line a home story rounding third. She and I are yolked together by a lily and light. A shot gun and syntax. The contender tears through the ring reminiscing on his hag. All antonyms all lies. My tongue today runs Mina Mina Mina. He and She: the Anthology of Mangled Signatures under lock and key.
IV.
Home/Homeless
Turned around along canned arches, Keston Sutherland touches the Mink’s tits and ass reciting his latest tune.
; ; ; .
( ( ( : [turn around]
……………..…………
……………..…………
; ; ; .
…………………………………no.
Sutherland and Mina lick child morals underneath collided rain.
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